Miss Tolley had chanced upon a Human Document, with the help of which she was hopeful of starting a “Press Controversy” concerning the morality, or otherwise, of “Running Waters.” The secretary stood just behind her, taking notes. They had drifted quite close. Joan could not help overhearing. * * * * *!

Mr. Folk was a well-known artist. He lived in Paris. “You are wonderfully like your mother,” he told Joan. “In appearance, I mean,” he added. “I knew her when she was Miss Caxton. I acted with her in America.” “I’m not so sure that it isn’t,” he laughed. “It’s the dinner-table that rules in England. We settle everything round a dinner-table.”

“But quite seriously,” she added, “give it a little more thought—the enlisting, I mean. The world isn’t too rich in kind influences. It needs men like you. Come, pull yourself together and show a little pluck.” She laughed. The silver clock upon her desk struck six. It had been a gift from her father when she was at Girton. It never obtruded. Its voice was a faint musical chime that she need not hear unless she cared to listen. She turned and looked at it. It seemed to be a little face looking back at her out of its two round, blinkless eyes. For the first time during all the years that it had watched beside her, she heard its quick, impatient tick. “I’ve always been a coward,” he continued. “I fell in love with you the first day I met you on the stairs. But I dared not tell you.”